A. Sutherland – AncientPages.com – Brihadeshwara Temple (also known as the Big Temple) is an outstanding example of Chola architecture. It is another remarkable sacred shrine in Gangaikonda Cholapuram, Ariyalur district, Tamil Nadu, India, dedicated to Lord Shiva.
The Brihadeeswara Temple view from the back. The two gopuras (temple entrance tower) can be seen in the back. Image credit: Aravindreddy.d – CC BY-SA 3.0
Timeless, formless, limitless, and transcendent Lord Shiva represents many fearsome and benevolent aspects, and many spectacular temples are dedicated to this powerful Hindu god. Along with Vishnu and Brahma, Shiva forms a part of the Holy Trinity, which is highly revered by Hindus worldwide.
The temple – one of the Great Living Chola Temples – shows the Dravidian architectural style and was built over 1003-1010 AD by a renowned king Raja Raja Chola I, who ruled over the Chola dynasty of southern India between 985 and 1014 AD.
This impressive and still well-preserved sacred shrine was not constructed by accident but is closely ᴀssociated with the ruler’s inspiration, which suddenly came to him in a dream he had during his visit to Sri Lanka.
In the temple, a famous portrait of Raja Raja Cholan depicts him paying homage to Lord Natarajar – Shiva, Lord of the Dance.
The Brihadeeswara Temple is dedicated to Lord Shiva. Image credit: Aravindreddy.d – CC BY-SA 3.0
The Chola kings strongly emphasized the importance of temples, which were gatherings for economic, political, and cultural activities and all-important official ceremonies. Indeed, the magnificent Chola temples testify to the excellent achievements of the Chola architects, engineers, and artisans.
Interestingly, dated to 1010 AD, the temple’s construction is unique due to the diversion from the typical building norms of having a tall gopuram (spire over the entrance to the temple) and a smaller vimana (the tower over the sanctum).
As for the Brihadeshwara Temple, the structure’s Vimana (216 ft (66 m) high and the tallest in the world) mounts high instead, while the gopuram remains stunted.
Another unique feature is that the temple is entirely made of more than 130,000 tons of granite, and it is said that its nearest source is approximately 60 km to the west of the temple. Its fortified walls were possibly added in the 16th century.
Brihadeeswara Temple. Image credit: Aravind Reddy.d – CC BY-SA 3.0
The Kumbam of the temple is bulbous. The temple’s mᴀssive structure (dome) on the top is carved out of a single rock and weighs around 80 tons.
Another beautiful attraction of the Brihadeshwara Temple is a mᴀssive Shiva lingam in a two-storied sanctum. The huge Nandi, the sacred bull, which was Shiva’s bull vehicle, and this figure – carved out of a single stone measuring about 16 ft (4.9 m) long and 13 ft (4.0 m) high was a thousand years ago placed at the portal.
The Nandi statue is one of India’s giant statues of Nandi bulls.
The sanctum’s inner wall is decorated with sculptures showing 108 dance poses, the so-called “karmas,” and all of them are performed by Lord Shiva, the divine cosmic dancer himself. However, the most famous of them is his dance called Tandavam (or Nadanta), of which the pose and artwork are mentioned in many Hindu texts and known from many stone reliefs.
Many shrines, 250 lingams, and pillared halls complete the temple’s ground. Additionally, several depictions include nartakis (or dancers) that show eighty-one of a hundred and eight karanas (synchronized movements of feet and hands) in Indian classical dance, Bharata Natyam.
Ancient records confirm that the Brihadeshwara Temple was a platform for talented dancers to showcase their talent.
These depictions are the first of their kind. The temple also possesses several inscriptions that mention the different types of jewels used during the temple’s construction period. A total of twenty-three different types of pearls, eleven varieties of diamonds, and rubies are mentioned in these inscriptions. Each of these jewels is described in detail.
Written by – A. Sutherland – AncientPages.com Senior Staff Writer
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