A. Sutherland – AncientPages.com – The fascinating ancient Hitтιтe sanctuary of Yazilikaya (‘rock with writing’) lies between rock outcroppings at the foot of the high ridge east of Hattusha, 170 kilometers east of Ankara and near the small town Boğazköy (Turkish: “Gorge Village”) modern Boğazkale, Turkey.

Lion Gate, Hattusa, Turkey. Image credit: Bernard Gagnon – CC BY-SA 3.0

Archaeologists date the earliest settlement in the city of Boğazköy, which was discovered in 1834, to 3000 BC. Still, nothing is known about the idenтιтy of the first settlers of Boğazköy because there are no written documents that could shed light on the local history of this region.

However, remains of the ancient ‘Great Fortress’ (Büyükkale) on the east side of Boğazköy confirmed that it later became the acropolis of the Hitтιтe kings.

The earliest written sources found at Boğazköy are clay tablets inscribed in cuneiform writing in the Old ᴀssyrian language.

An open-air Hitтιтe sanctuary, Yazilikaya, is one of the most striking religious shrines of the Hitтιтe Empire (1400-1200 BC), and many gods and goddesses were worshiped there during this time.

Yazilikaya, Hitтιтe sanctuary near Hattusa, Turkey, Chamber B Procession of the 12 Underworld Gods. Image credit: Klaus-Peter Simon – CC BY 3.0

Worshippers would pᴀss through the temple and find themselves in the rock sanctuary with walls richly decorated with bas-reliefs depicting Hitтιтe deities in pointed caps or magnificent tiaras on their heads.

Many rock reliefs exist in other Hitтιтe sites, but they are smaller and more impressive than the galleries of gods at Yazilikaya. The reliefs in the shrine’s main chamber include two long processions of gods that converge on a large rock face at center stage, where the famous Weather God of Heaven, Teshub, faces his consort.

Teshub was worshipped as the “King of Heaven, Lord of The Land of the Hatti.” He is depicted as a bearded man, dressed in a kilt, with an ax in his belt, holding a spear in one hand and a symbolic flash of lightning in the other.

The gods are depicted on the west, and the goddesses on the east side of the gallery. Unfortunately, archaeologists have been able to identify only a few of these prominent figures.

Sharruma, the son of the two great gods renewing their marriage vows, stands right behind his mother and leads the line of divine ladies. On the west wall of the sanctuary, Shaushga, the Hitтιтe version of the planet Venus as the goddess of war, marches with the men.

Left: Rock carving in Chamber B depicting god Sharruma and King Tudhaliya dated to around 1250 – 1220 BC. Image credit: Klaus-Peter Simon – CC BY 3.0; Right: Nergal, the underworld god in the era of Old ᴀssyria and Old Babylonia. Image credit: Klaus-Peter Simon – CC BY 3.0.

Archaeologists also recognized Telipinu, the son of the weather god and the patron god of vegetation, holding a twig or an ear of corn. The procession has many different winged figures, but only the Moon-god from Mesopotamia is recognizable. Interestingly, the carved hieroglyphics accompanying the gods at Yazilikaya identify the gods with Hurrian names. The Hurrians founded the kingdom of Mitanni southeast of the Anatolian plateau in northern Mesopotamia and eastern Syria.

Their language was not related to the Semitic peoples of Babylon or the Hitтιтes.

Interestingly, the carved hieroglyphics accompanying the gods at Yazilikaya identify the gods with Hurrian names. The Hurrians founded the kingdom of Mitanni southeast of the Anatolian plateau in northern Mesopotamia and eastern Syria. Their language was not related to the Semitic peoples of Babylon or the Hitтιтes.

Puduhepa, for example, the Hitтιтe queen, came from Kizzuwatna, a Hurrian province in the southern lands of the Hitтιтe empire, later known as Cilicia. The daughter of a priest and as a priestess herself, she brought tablets inscribed with the names of the gods to her Hitтιтe husband. She was married to Hattushili III (1275— 1250 B.C.), who, along with their son, Tudhaliya IV (1250— 1220 B.C.), was ordered to carve the sculptures at Yazilikaya.

Yazilikaya Chamber B, Name Cartouche Tudhalija IV. Image credit: Klaus-Peter Simon – CC BY 3.0

His carved depiction is seen at the entrance to the sanctuary. He is dressed in the traditional long robes of the Hitтιтe kings; he wears a curved sword and carries his pictograph symbol in his right hand.

Among other identified gods depicted in the wedding procession at Yazilikaya, there is Hepat, Teshub’s bride and the goddess of cyclical renewal. Hepat was the great Hurrian Mother Goddess, and at the same, to Hitтιтes, she was the Sun Goddess affiliated with the city of Arinna, the major cult center of this Hitтιтe sun-goddess, also known as UTU Arinna or “Sun-Goddess of Arinna.”

The great shrine at Yazilikaya and its marvelous sculptures, along with an ancient text: ‘All the gods ᴀssembled and entered into the House of the Weather God,’ prove that the Hitтιтe kings celebrated a great festival of Heaven and Earth at the beginning of the year.

The Hitтιтe New Year, which occurred in spring and probably coincided with the vernal equinox, was very important and widely celebrated, by the people of Mesopotamia.

Yazilikaya remains a vital historical moment at the height of the Hitтιтe civilization.

Written by – A. Sutherland AncientPages.com  Senior Staff Writer

Updated on Oct 1, 2023

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