A. Sutherland – AncientPages.com – Some believe the Disir in Norse mythology were malicious, harmful spirits, demons of death, destruction, and war who sought terrible things for the people they watched.
“The Dises” (1909) by Dorothy Hardy. Guerber, H. A. (Hélène Adeline) (1909). Myths of the Norsemen from the Eddas and Sagas. London: Harrap. This illustration facing page 170. Digitized by the Internet Archive and available from
https://archive.org/details/mythsofthenorsem00gueruoft . Image uploader: Haukurth. – CC BY-SA 4.0
Others suggest that the Norse people also believed in the positive influence of the Disir (Dises) in a person’s life. These goddesses (spirits) make a separate female group in Scandinavian mythology. They are related to fertility and death.
The ‘Disir ‘(singular, ‘Dis’) watched over one single individual, families, and even entire neighborhoods. They brought good to a home and its family. They were often ᴀssociated with mother goddesses, who were powerful and highly respected mythological figures in different cultures and religions around the world.
The ancient people of Scandinavia also knew that these female guardian spirits were ᴀssociated with death and needed to be respected. Therefore, they honored the Disir in private and public ceremonies known as disablot, the festival of Dis, where sacrifices were made to them.
According to ancient Norse beliefs, they arrived when children were born, and in this role, they function like Roman fairies. The Disir were also regarded as local land spirits that governed fertility. This role was also prevalent among ancient people in Scandinavia.
The famous and beautiful Norse goddess Freya was called Vanadis; it means she was an inhabitant of Vanaheim and the “Dis of the Vanir.” Another goddess ᴀssociated with Disir was the giantess Skadi (öndurdís) – the “Dise of the Skis.”
“Idise” (1905) by Emil Doepler – “Idisen” impede an army while binding warriors and freeing others as described in the “Liberation of Prisoners” Merseburg Incantation. Walhall, die Götterwelt der Germanen. Martin Oldenbourg, Berlin. Page 13. Public Domain
The Disir are also mentioned in the twelfth-century Skaldic poem, Krákumál, also known as the “Lay of Kraka” and composed in the 12th century, most probably in the Scottish islands. The poem tells about the heroic deeds of a brave warrior and the hope that a violent and powerful revenge will follow his death. Such a warrior must soon experience the pleasures of Valhalla, according to the poem, which also contains a monologue in which Ragnar Lodbrok is dying.
As recounted in the Icelandic sagas, the dying Viking hero, Lodbrok, was captured by Aelle, King of Northumbria, who ordered him executed by throwing him into a pit filled with poisonous snakes.
In the mythology and beliefs of the pre-Christian Norse people, the Disir – undoubtedly enigmatic spiritual beings – are often identified with divine collectives as the Norns and the Valkyries. At one time, they are described as beings with typical warrior characteristics or, at another time, show their beneficial and protective relation to people.
From the Krákumál poem, we learn that the dying Ragnar says that Odin sent the Disir to invite him to Valhalla.
“We now wish to end,
home I invite the dísir*,
which Odin sendt me.
Glad shall I drink ale with the æsir
in excellence I will drink..”
On the other hand, there is another source, known as “Thidranda thattr”, a short Icelandic saga dated to 13th-century, and set in Eastern Iceland in 996, only four years before Christianity was adopted by the Icelandic Althing (an equivalent of the Swedish – Thing).
According to the saga, Tirdrandi, sought to adopt Christianity in Iceland. Unfortunately, he ignored the warnings of Thorhall Seer or the Prophet and set off on a winter night (held 28 days after the Autumn equinox), and he is killed by a mysterious equestrian group of nine black-clad women with drawn swords. At the same time, nine white-clad women riding on white horses from the south attempt to defend Tirdrandi. In vain, Tirdrandi was killed by those in black.
The saga may be a symbolic story about the struggle between heathenry and Christianity in Iceland and describes the religious change in this country, which is quickly approaching.
Written by – A. Sutherland – AncientPages.com Senior Staff Writer
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References:
Lecouteux, C. Encyclopedia of Norse and Germanic Folklore, Mythology, and Magic
Simek, R. Dictionary of Northern Mythology
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